In The Gallery

Nan Rothwell: From the pottery down the gravel road to ... September 3, 2015 09:57

From the pottery down the gravel road to a national network:

Nellysford being somewhat isolated, Nan Rothwell Pottery Washstand Setcredits the emergence of the Internet with expanding her artistic influence. Starting in the mid-1990s she increased her involvement with various national groups such as the National Council on Education for the Ceramic Arts (NCECA) and won election to the Potters Council Board. Her board membership led to participation at national and regional conferences, in turn sparking an ambition to do more teaching, especially workshops where she feels the learning flows two ways.

On teaching

Her own introduction to clay certainly informs her approach to teaching: Nan loves sharing what she’s learned and encouraging new potters. As she says so well, “I had some wonderful teachers when I was first learning to pot, and teaching allows me to pass the favor on.” She honors especially Rosemary Zorza, Mick Casson, and Walter Keller.

Although she’s cRothwell Pottery Sushi Setlosed her own studio & school in Nellysford, she now teaches classes and specialized workshops at City Clay in Charlottesville. This fall she will teach a beginners and a multi-level wheel class, both on Tuesdays. In addition, she continues to teach workshops at the John C. Campbell Folk School, Shenandoah Potters School and at the Bay School in Matthews, VA. She’s also accessible through her instructional videos, which focus on throwing as well as glazing and decorating.

On a different level, she also originated “Clay Camp,” an occasional gathering of fellow potters to exchange ideas and techniques, share good food, and just enjoy the rich exchange among artists. Regular participants include well known Central Virginia potters Kevin Crowe, Nancy Ross, Becky Garrity, Elizabeth Krome, and Rothwell Pottery Teapotmost recently Randy Bill. The first camp, a multi-day potting event, was with Jim Lane. Nan traces some of her techniques to these Clay Camp experiences. And, of course, the bonds of friendship endure.

Last spring’s camp inspired Nan to put out a teapot challenge to a small group of colleagues and students at City Clay: looking for a different approach to lid-making on altered teapots, she challenged the group members to create a teapot a week for the gathering. Critiques were insightful and encouraging. This challenge now completed, City Clay members are already talking about organizing another informal exchange along the same lines.

Future plans:

The very immediate future is her upcoming exhibit opening Sept. 8 at City Clay with reception and artist’s talk on Friday, Sept. 11. It will features works just coming out of her stoneware kiln.

As a Juried Artisan and member of the Virginia Artisan Trail Network, Nan will participate in the Artisans Studio Tour the weekend of November 7 and 8, this year sharing space at City Clay with Randy Bill. As already noted, she continues to teach and inspire new students.

Reflecting on the past year when she moved to Charlottesville and left behind her solo studio, she recalls that she briefly contemplated giving up pottery after almost 50 years. Barely settled in Charlottesville though, she was seeking studio space. Fortunately, she’s found a home at City Clay.

What else lies ahead? Come to her opening reception and talk on Friday, Sept. 11 to find out.

Rothwell Stoneware JarRothwell Stoneware Bowls   





Meet Nan Rothwell and Celebrate the Everyday Pot (Sept. 8-Oct. 3, Opening Sept. 11) August 30, 2015 16:39

Nan Rothwell:  the back story to Nellysford and Charlottesville via England and Crozet

(First in a series leading up to Nan's show, "Celebrating the Everday Pot", opening Sept. 8, 2015 at City Clay.)

Nan Rothwell, potter and teacher, describes herself as a good starter. That’s a modest statement from someone who plunged into pottery intensively by spending three years in England learning and practicing her craft in both private studios and at the Harrow School of Art. It’s also modest in light of her forty+ year career, which includes building kilns, launching and maintaining a gallery, starting a collaborative studio in Crozet, and establishing her own studio and classroom in Nellysford.

Her story is inspiring to others; her instruction gentle and encouraging.

At nineteen Nan took off to backpack in England. Along the way, she met and lived with potter Rosemary Zorza, spending six months with her. This was followed by two years of study at the Harrow School of the Arts in a specialized program designed to teach not only the skills of creating beautiful pottery but of managing a business, kiln construction and glaze creation – the full gamut to establish a pottery studio. Breaks from school were spent in production studios gaining more experience. After three years Nan returned to the States intent on finding a location to establish her own studio and possibly a cooperative with other artists.

She looked from New England south to the Blue Ridge of Virginia. New England, Sandwich MA in particular, looked enticing until she asked a fellow potter what the tall red flags outside his kiln shed were for. When he responded that they helped him find the kiln after winter snowstorms, she turned south, past her original home in Washington, D.C. Visiting the Albemarle County area to interview with the Innisfree Village, she found a place to call home upon meeting fellow potters, making friends and initially putting down roots in Crozet.

In Crozet she purchased a house to serve as both home and studio. There she built her first kiln based on her one-time experience at school in England and on a book she bought. Substituting the available 8-lb. bricks for the 1-lb. called for in the book didn’t go well, to say the least. But Nan is comfortable taking on challenges and figuring out how to make things work. For the magic and joy of clay, the lessons were worth it.

As Crozet began to grow, she and her husband Carter opted for a more rural life, buying land in Nellysford near friend and fellow potter Kevin Crowe. In fact, the two families interwove their lives in many ways, each bringing separate skills to house and studio construction, kiln building, pottery, and family life overall.

Watch for the next chapter about Nan, including her work and influences, teaching, and future plans.

September 8 - October 3, 2015: Celebrating the Every Day Pot August 20, 2015 11:30

Nan Rothwell

Opening Reception and Artist Talk, Friday, September 11, 5:30-7:00

Nan Rothwell makes functional stoneware and salt glazed pottery in her City Clay studio and then fires her work at her former studio in Nelson County.  Nan has been potting and teaching clay classes and workshops in Virginia since 1973.  She got her initial training in clay working in private studios and studying at the Harrow School of Art in England.  
This show features new work including lamps and decorative pieces, plus a number of small pieces made for everyday use.  Nan has always loved the connection between maker and user inherent in functional pots. Pots are personal.  When we use tableware made by hand, we connect with the original maker.  
People have been making pottery since before recorded history.  The ancient process of transforming clay into hardened vessels and forms is universal.  As modern potters, we connect with that deeply human endeavor.